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A handpicked selection of stories from BBC Future, Culture, Capital and Travel, delivered to your inbox every Friday.With the Roaring Twenties in full swing and the first talkies on the horizon, Hollywood’s booming film industry already had its share of bankable stars-Charlie Chaplin, Greta Garbo, Douglas Fairbanks, Buster Keaton. Īnd if you liked this story, sign up for the weekly bbc.com features newsletter, called “If You Only Read 6 Things This Week”. If you would like to comment on this story or anything else you have seen on BBC Culture, head over to our Facebook page or message us on Twitter. “In a world where pretty much all dance music is made on computers with no live musicians, disco’s energy is like a breath of fresh air.” Disco music was the perfect conduit to foster this sense of togetherness through diversity. “When HMD came about, it was celebrating the music I loved, but also recognising that disco music was a great leveller, which enabled us to develop a wonderfully diverse crowd that’s why we described it as a queer party for everyone. “It was probably around this time that I realised both that I was gay, and disco music represented a gay culture that I found inspiring,” says Hillard. By the late-‘90s, Hillard was studying in London, exploring the city’s club scene (where cool nights at Plastic People and 333 blended house and disco), and building his own musical identity.
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HMD co-founder James Hillard grew up in rural Somerset, where he recalls being entranced by the disco 45s collected by his father, a local DJ. Besides their packed weekly parties, they host a show on dance station Rinse FM (where Nicky Siano also hosts podcasts), and recently released their debut single, Waiting For You To Call. “It becomes divine: a love epidemic.”ĭisco’s modern champions include London-based, globally-touring club quartet, Horse Meat Disco. “It unites the whole audience when you have 100 people singing along on the dancefloor,” enthuses Siano. “In the beginning, all the songs were about spreading love, getting together, making the world a better place.”ĭisco even changed the way we moved the dancefloor was no longer restricted to (straight) couples – it became about celebration and drama en masse. “There seemed to be so much turmoil, and the only answer to that is loving each other,” says Siano. The surprising history of the wolf whistle The link between Harry Potter and Millennial protest But he cites the 1969 Stonewall riots sparking the fight for LGBT equality as the starting-point for his own disco hallelujah show.
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Pioneering DJ/producer Nicky Siano recalls being a gay Brooklyn youth, drawn to the “social and affirming” atmosphere of Greenwich Village he was 18 when he founded Manhattan’s The Gallery (where stars like Grace Jones debuted), and he later became a Studio 54 resident.
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Disco stemmed from a series of epiphanies and communities, rather than a single birthplace key New York nightspots ranged from David Mancuso’s open-hearted house party The Loft (early ‘70s), to the late ‘70s exclusive-chic of Studio 54 and the dancefloor hedonism of Paradise Garage.